After the application of the paint you go briefly with a hot air hairdryer or torch over the paint and then swivel your canvas until you like the result.
Fluid painting no cells.
Heavier paints pigments sink through colors that are less dense lighter.
When you swipe titanium white heavy over phthalocyanine blue light it will sink through and create cells.
When you mix paint in the same fluid medium the pigments become similarly suspended and interact with each other.
It was quite surprising.
The main methods of achieving cells in your fluid painting include.
This will almost guarantee that you get cells in your fluid painting.
The paints just need to be thin enough to br able to create the cells because if the paint is too thick heavy to move easily then its gonna be too thick to react and move to react with the others.
These cells appeared so quickly.
If the paint is too fluid the result is often broken cells which then completely lose their shape when drying and the paint runs off the canvas too much.
Many beginners mix their first color mixtures either much too fluid or not fluid enough.
Resin is too thick and needs different specific techniques in order to create cells but are always thf smaller cells when using resin.
Using the torch method.
If the mixture is too viscous cell formation is more difficult.
I loove acrylic pouring and it s.
The optimal method of creating cells in your acrylic pour is by varying the consistency and density of the paint.
Every color of paint has a specific gravity and when you.
Incorrect consistency of the mixture.
Varying density of the paint.
Varying density of the paint.
This was a little experiment which ended up with beautiful result.